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Jump to: Mémoire
Number of items: 10.


Mazeran, Auriane (2019) Excess and Abyss in Will Self's Dorian: an Imitation (2002): Testing the Limits of Oscar Wilde's Picture of Dorian Gray (1890). [Mémoire]

Benromdhane (Haouel), Rim (2019) La représentation Orientaliste du Sahara dans le cinéma Occidental. [Mémoire]

Fleuriot, Pauline (2019) Le cinéma de Ken Loach: naturalisme, déterminisme et empathie dans Kes, Family Life et Moi, Daniel Blake. [Mémoire]

Ongaro, Eva (2018) (Re)constructing Femininity and Sexuality in Contemporary Feminized Popular Culture: A Case Study of Fifty Shades Series. [Mémoire]

Périn, Eugénie (2018) HYPERFILMICITY AND AUDIOVISUAL TRANSLATION : Dubbing the Live-Action Remakes of Disney Animated Classics. [Mémoire]

Aufderbruck-Londres, Don (2017) The Impact of Paganism On The Anglo-Saxon Cultural Identity Through Popular Culture. [Mémoire]

Zrari, Imad (2017) The Blurring of Politics, Postmodernist Aesthetics and Writing in What a Carve Up! and Number 11, Jonathan COE. [Mémoire]

Aries, Magali (2016) Intermediality, re-mediation and inter-sensuality: the poetics and aesthetics of the In-Between in Stephen Poliakoff's 'slow television' from 'Shooting the Past'(1999) to 'Dancing on the Edge'(2013). [Mémoire]

Aufderbruck-Londres, Don (2016) The Representation of Paganism in modern Anglo-Saxon Popular Culture: Paganism in Movies and TV Series. [Mémoire]

Azzaoui, Agathe (2016) The British cultural background between 1969 and 1974: the examples of Doctor Who and Monty Python's Flying Circus. [Mémoire]

This list was generated on Wed Feb 19 07:29:21 2020 CET.